1. In Rubikās cube discourse, why are the solutions called āgodā algorithms or āgod-numbersā
Within the Rubikās Cube (and broader puzzle) community, āGodās algorithmā refers to anĀ optimalĀ solving methodāone that always produces the shortest possible solution from any given configuration. The idea is that an all-knowing entity (āGodā) could see the perfect route to solve the puzzle in the minimum number of moves.
Historical Notes:The phrase gained popularity in discussions around āGodās number,ā which is the maximum number of moves needed to solve the cube from any position (20 moves in half-turn metric, 26 in quarter-turn metric). Once that number was proven, the algorithm that always hits that bound if necessary was called āGodās algorithm.ā
Informal Usage: Itās not a formal or religious usage. The term is more of a playful nod to an omniscient perspectiveāan algorithm that āknowsā the absolute optimal path.
2. Any relation to how Einstein (and others?) used āgodā in connection with the laws of physics?
Einsteinās āGodā
When Einstein used phrases like āGod does not play dice,ā he was typically referring to the underlying determinism or structure in the laws of physics, rather than a personal deity.āGodā in this context alluded to the universeās governing rules, which Einstein believed were elegantly consistent.
Comparing to āGodās Algorithmā
The Rubikās Cube usage is much more informal. It hints at an ultimate principle (optimality), but it doesnāt really draw from Einsteinās philosophical or theological implications.Both usages share a metaphorical sense of an ultimate or perfect knowledge, but they operate in different domains: puzzle-solving vs. describing physical reality.
3. How is this related to whether the āgod-lawsā are (a) empirical, as in science, or (b) formal, as in mathematics?
(a) Empirical Laws in Science
Physical laws are discovered through observation, experiment, and inference. For instance, Einsteinās field equations in general relativity are tested against measurements of planetary orbits, gravitational lensing, etc.If they fail in experiments, scientists must refine or replace them.
(b) Formal Laws in Mathematics
Mathematical ālawsā (theorems, proofs) are established through logical deduction within an axiomatic system. They donāt depend on experiments; they rely on consistency with axioms.
Godās Algorithm in the Rubikās Cube falls into the category of formal problem-solving. Itās grounded in group theory and combinatoricsāthe ālawsā behind it arenāt empirical but logical constraints of the cubeās configuration space.So, āGodās algorithmā sits firmly in the āformalā realm of mathematics and theoretical computer science
4. And is there any relation to the various foundational views of mathematicsā(i) Platonism, (ii) Intuitionism, (iii) Constructionism, or (iv) other options?
(i) Platonism
Platonists see mathematical entities (like numbers or group structures) as existing in an abstract realm. āGodās algorithmā could be seen as discovered from this realm, a perfect solution that exists objectively
(ii) Intuitionism
Intuitionists argue that math is a creation of the human mind, focusing on constructive proofs. One might say that the āoptimal solutionā is only meaningful insofar as we can construct it or approximate it with an algorithm.
(iii) Constructionism
Closely related to intuitionism, constructionism emphasizes building mathematical objects step by step. In that vein, the quest for āGodās algorithmā is a constructive process: we want an explicit procedure that yields the optimal path.
(iv) Other Views (e.g., Formalism)
Formalists see math as manipulations of symbols under given rules. The concept of āGodās algorithmā fits well here too: itās a statement within the formal system describing the Rubikās Cube group, and we seek a sequence of symbols (moves) that minimize the path.Overall, the concept of a āGodās algorithmā can be interpreted differently based on oneās philosophical stance. Platonists might say it exists out there to be discovered, while intuitionists might say itās only ārealā once we construct it. Either way, the term āGodā is more of a metaphor for perfect knowledge than a literal or religious reference.
5. Have there been interpretations of what Einstein meant by “god”?
Einsteinās Own Statements
Spinozaās God: Einstein often mentioned that he believed in the āGod of Spinoza.ā Spinozaās philosophical view is broadly taken as pantheistic, equating āGodā with the totality of nature or the universeās lawful harmony rather than a personal deity.Hence, for Einstein, āGodā was a metaphor for the underlying rational structure, elegance, and consistency in the laws of the universe.
Non-Personal Deity: Einstein explicitly rejected the idea of a personal God who intervenes in daily human affairs.He wrote in letters that he did not believe in a God āwho concerns himself with fates and actions of human beings.āFamous Quotes and Their Context
āGod does not play diceā This phrase was Einsteinās way of expressing skepticism about the randomness and probabilistic nature of quantum mechanics. He believed the universe had a more deterministic or at least deeper, as-yet-unknown, lawful structure.It did not imply a belief in a personal God but rather an insistence on an orderly universe.
Mixed Interpretations
Religious Interpretations: Some theologians and laypeople initially took Einsteinās words about āGodā as support for a traditional theistic stance. However, Einsteinās later clarifications made clear he was not endorsing a personal, interventionist God.
Philosophical/Metaphorical Interpretations: Most modern scholars agree that Einsteinās references to āGodā were predominantly metaphors for natureās laws and the deep sense of wonder he felt when studying the cosmos.
Einsteinās Personal āReligiousnessā
Awe and Wonder: While he did not follow an organized religion, Einstein described himself as feeling a ācosmic religious feelingāāan awe at the grandeur and mystery of the universe.He used āGodā as a shorthand for that awe-inspiring order, rather than a being with personality or will.
Key Takeaway
Einsteinās āGodā is best understood in the context of Spinozistic or pantheistic thought, focusing on the harmony and unity of nature. It was a poetic or metaphorical use of the word āGodāāfar removed from the typical doctrinal or personal interpretations found in many religions.
Last question series: (1) The notion of “god” and “gods” originated (etymologically?) from supernatural and metaphysical beliefs — beliefs which non-religious people believe to be false. Why choose “god” as the metaphor for the discovered and empirically supported truths of physics? (2) Does it fit any better (or worse) to scientific findings than Dawkins’s “Flying Spaghetti Monster”, or, for that matter, “Beelzebub”? (3) Even if it is just a metaphor for the sense of awe at the universe and its laws, why call that “god”? (4) Doesn’t that make awe a metaphor for the notion of god? (5) Last: since the notion of god(s) in its origin anthropomorphic, hence personal, is it not a mark of an inapt trope if one then has to qualify it with “put I don’t mean a personal or supernatural deity”?Ā
The term āgodā has a deep cultural and linguistic resonance. When Einstein or others refer to āGod,ā they tap into a well-known concept that suggests something ultimate, beyond ordinary human understanding.
Convenience and Cultural Familiarity: Even if non-religious thinkers reject supernatural claims, using āGodā as shorthand for āultimate realityā or āthe fundamental lawsā can be a convenient metaphor because itās already embedded in the vernacular.
Poetic or Emotional Connotation:Saying āGodā can evoke awe, mystery, and reverenceāemotions that mirror how scientists might feel about the grandeur of nature and the cosmos.
The āFlying Spaghetti Monsterā was coined satirically to highlight perceived absurdities in certain religious arguments. It deliberately underscores the idea that āany deity is as likely as another.āEinsteinās usage of āGodā has a moreĀ seriousĀ orĀ reverentialĀ historical weight. Itās less about satire and more about expressing awe or the sense of a grand underlying principle.
Cultural Reactions Differ:āGod,ā in many societies, carries an air of solemnity; āBeelzebubā or āFlying Spaghetti Monsterā carry connotations either of the demonic or the absurd. So, in terms of widespread acceptance or emotional tenor, āGodā remains a more common metaphor for grandeur and unity in the laws of physics.
Historically, philosophical and scientific writings have often co-opted religious or theistic language to express wonder. Itās partly a carryover from periods when religion was the default lens of cultural interpretation.
Connotations of āUltimateā or āAbsoluteā: Calling it āGodā connotes something all-encompassing, a concept that stands in for āthe ultimate nature of reality.
āEmotional Resonance: Words like āgodā may resonate emotionally more than purely secular words (e.g., āthe laws of physicsā), especially for expressing profound awe.
Inevitably Ambiguous: Indeed, calling it āGodā invites confusion because most people associate āGodā with a personal, intervening deity. Hence the repeated clarifications by figures like Einstein: āI donāt mean a personal God.ā
Metaphor vs. Literal Meaning:
Metaphors often extend words beyond their literal origins. Still, some argue that using āGodā for an impersonal force is misleading if one must always add caveats.
Rhetorical Power vs. Precision:
Pro: Using āGodā can evoke a stronger emotional or rhetorical impact.
Con: It risks conflation with traditional theism, requiring disclaimers (āGod but not personalā), which some find contradictory or confusing.
Cultural Momentum: Despite these drawbacks, the cultural inertia behind āGodā as a term of ultimate reference remains potent. So even if itās not perfectly apt, it continues to be used, partly because no alternative metaphor carries the same widespread recognition.
Calling the laws of physics āGodā (in Einsteinās sense) is a metaphor that leverages cultural and emotional weightāyet it often necessitates disclaimers to avoid implying belief in a supernatural or personal deity. Whether itās apt or inapt depends on oneās communication goals: itās evocative and poetic but can also be ambiguous or confusing.
I suppose it’s much the same for those who use it in the formal/platonic realm of maths and logic: this time analogous to the aesthetic awe at symmetry or the vastness of space. Some people use “gods” as the metaphor for their reverential awe of the great composers, or the great creators (sic) in all human areas of endeavor… In the end, there’s no arguing about metaphors, because they are not literal, falsifiable statements of truth but just the airing of sentiments. The anthropomorphic metaphors especially…
Thought about metaphors and reverence in science for a couple of seconds Indeedāmetaphors, especially those involving āgodā or āgods,ā tap into cultural and emotional resonance rather than strict, literal statements. The same applies whether the realm is physics, mathematics, the arts, or any other field that inspires profound admiration. Because metaphors are inherently symbolic (not falsifiable in the scientific sense), they serve more as expressions of sentimentāvehicles for conveying awe, reverence, or wonderāthan as precise definitions or doctrinal truths. As you note, anthropomorphic language in particular can both humanize and potentially obscure the concepts it describes, which is why such metaphors often require clarification. Ultimately, itās a creative way of communicating emotion rather than making a claim about empirical reality.