Review: The Three Musketeers at NST City

Audience reactions to The Three Muskateers at Nuffield Southampton Theatres

By Thea Hartman

I didnā€™t know what to expect heading into the NST for Le Navet Beteā€™s production of Dumasā€™ classic The Three Musketeers. Subtitled ā€˜A Comedy Adventureā€™ and with a poster with some rather striking facial expressions and a BMX, I wasnā€™t sure whether I was about to watch the actual musketeers being heroic or four men running around in musketeer outfits for childrenā€™s enjoyment.

As it turned out, it was definitely more of the latter, but without the negative connotation ā€“ I enjoyed the running around perhaps more than the children. The classic, exhibitionistic comedy acting was finely interlaced with a sterling production, and a script which is both timely and timeless. In a Nuffield Southampton Theatres spring season filled with literary adaptations, this production does not beat around the bush when it comes to questions of adapting a literary text and tailoring it to their audience. The apparently necessary aspect of historical and textual accuracy is dropped from the very beginning, when the four actors present themselves to their audience out of costume, breaking the fourth wall and clarifying that the production does not claim to hold the ultimate understanding of the 700-page novel, but just wants have as much fun with it as possible, without taking itself very seriously.

Whether or not this is a recipe for a great adaptation is a completely different, less fun conversation with likely no verdict whatsoever. The only conclusion I can get to is that itā€™s definitely a recipe for roaring laughter. The four actors were a delight to watch, having the time of their lives on stage, flawlessly switching between characters with quick changes of costume, and even when the changes werenā€™t as smooth as they should have been they acted so naturally that I doubted whether or not the mistake was actually planned. Stand-out characters were Madame De Winter, Cardinal Richelieu, and Dā€™Artagnan, played with fantastic consistency throughout, but every single change of costume brought a fresh round of raucous laughter, whether caused by an oblivious Lord Buckingham or a vindictive nun. The sheer amount of events happening and the relations between all the characters were confusing, but instead of running away from this, Le Navet Bete flipped it on its head, aware of just how much was happening and having the characters explain things they did not understand themselves.

Audience engagement was a huge positive part of the show. The fourth wall, removed from the very beginning of the play, never returned, with the actors thriving when improvising reactions to the audienceā€™s own. The funniest moment of the show required the audience to throw plush ducks at Madame De Winter as she was proving her hunting skills to Lord Buckingham. The willingness of the actors to improvise and the natural manner in which they did it really elevated the show.

The production value was also outstanding, from a simple yet versatile set, to the similarly versatile costumes. The stage was a constant whirlwind of moving props, flying costumes, and musketeers riding bikes instead of horses ā€“ and whilst it may have seemed quite natural, it required calculated coordination and elaborate choreography that did not go unnoticed. However, it was the sound that truly enhanced the comedic effect. For instance, if the shotgun sounds didnā€™t play exactly as Madame De Winter was ā€˜shootingā€™ the plush ducks, the effect of that scene would have been significantly diminished. The sterling synchronization between sound effects and the onstage acting deserved a standing ovation in itself.

Overall, The Three Musketeers: A Comedy Adventure was a witty, self-aware show, unafraid of tapping into the childish side of all the audience members ā€“ children or adults ā€“ of questioning its own script, or of pushing the limits of what onstage performance is: if you get a line wrong, acknowledge it and do it again, it might make the whole scene funnier that it was meant to be intentionally!

Le Navet Bete provided a complete escape from the worries of everyday life ā€“ I laughed more than I have in a long time, and isnā€™t that what we all need?


The Three Muskateers: A Comedy Adventure ran at NST City from Tuesday 18 – Saturday 22 February 2020.

For more details of NST’s literature loaded spring season – featuring Pride and Prejudice (sort of), War of the Worlds, Wuthering Heights and more – click here.

Introducing our 2019/20 Arts Ambassadors: Molly Ellis

Molly Ellis (left) filming with SUSU TV

Third year Music student Molly Ellis tells of the impact the arts have had on her life here at University of Southampton and looks ahead to the next few months in her role as Arts Ambassador.

I had such a good time working as an Arts Ambassador last year that, when the opportunity came up again, I couldnā€™t not apply! Last year, I had a blast reviewing theatre, art exhibitions and concerts, attending events and networking with both my peers and professionals in the industry. This last year has really opened my eyes as to what kind of future could be possible in the arts beyond university.

This year I hope to continue working to promote the arts to both my fellow students and the local community. Itā€™s so important for students to understand that the arts youā€™re involved with at university could pave the way to a career, regardless of your degree. Showing that the gap between the ā€˜studentā€™ and ā€˜professionalā€™ worlds is not that wide is something Iā€™m really keen to do – exploring these possibilities and networking is what university is all about!

As a third year music student, the arts have shaped pretty much my entire time at University. Iā€™ve been lucky enough to start shaping my passions for music, theatre and filmmaking into the beginnings of a future beyond graduation- something Iā€™m incredibly excited about.

Iā€™m a freelance filmmaker and photographer and have had the pleasure of working with some amazing groups, such as SƓN and SUSO, and on some cinematography passion projects- one of which has just been accepted for screening at the Canadian International Comedy Film Festival!

I am also a Musical Director for musical theatre society Showstoppers after joining last year (on the advice of previous Arts Ambassador Ben McQuigg). I soon found myself stuck in with nearly every show and my first as Musical Director, ā€˜I Love You Becauseā€™, is coming up at the beginning of February! Getting stuck in with all of these activities across a breadth of arts topics has been an incredible experience, and has really extended the scope of skills learnt during my degree. I encourage absolutely everyone to get involved with at least one arts passion they have during their degree!

Being an Arts Ambassador for me is about both being a role model for participation and engagement with the arts, but also being a gateway to helping others access the arts, particularly those that think ā€˜itā€™s not for meā€™. Thereā€™s a wealth of things out there to explore in Southampton and beyond!

Apply NOW for a UoS Creative Internship

Arts Ambassadors Shanelle, Nicole and Louise with Sir Nicholas Serota, Chair of Arts Council England at John Hansard Gallery. Photo Jon Banford

Are you looking to gain valuable experience and build your networks in a creative environment? Is your career ambition to work in the arts, cultural or creative industries?

The University of Southamptonā€™s Careers Service have opened their new season of paid Internships with a brilliant range of opportunities in Southamptonā€™s cultural sector for enrolled UoS students and graduates *.

Read on for details of the creative and cultural internships on offer and hurry, applications close on 27 October 2019.

Continue reading Apply NOW for a UoS Creative Internship

Rediscovering The King of Lampedusa: An Evening of Performance and Talks with the Parkes Institute

Katie Power and Abaigh McKee, PhD candidates in The Parkes Institute for the Study of Jewish/non-Jewish Relations at the University of Southampton, discuss Rediscovering ā€˜The King of Lampedusaā€™, a lecture-recital that took place at Nuffield Southampton Theatres City (NST City) in June.

Continue reading Rediscovering The King of Lampedusa: An Evening of Performance and Talks with the Parkes Institute

Introducing Sophie Hart: Nuffield Southampton Theatres’ Marketing and Communications ‘Excel’ Intern

Sophie Hart, Marketing and Communications Intern at Nuffield Southampton Theatres (NST), shares her aspirations for the role.

Continue reading Introducing Sophie Hart: Nuffield Southampton Theatres’ Marketing and Communications ‘Excel’ Intern