Clay!

Today’s session was all about exploring the possibilities of clay. With very little guidance the group began to play about with a lump of clay. Instinctively members began to build, extend, grow, impress, indent, impress, loop, mold, press, pummel, pinch, pull, poke, roll, stretch, stack, stroke, score, scrape, thump, topple and smooth the clay as soon as it was put down in front of them.

To begin with we worked with no tools except our hands, later introducing found tools from the kitchen drawer.Ā We also thought about how we might create small units:Ā coils, containers, cones, cylinders, donuts, letters, leaves, pebbles, strips, sticks, squares, spheres and anything else the group could conjure up.Ā We explored the clay’s material properties with no notion of what we might make.

Mid-way through the morning we looked at some images of how clay is used in our every day lives, from tea cups, to toilets, sewer pipes and bricks. We also looked at artists who push the material possibilities of clay, thinking not just about making representation objects but how what we make can reflect both the material and the physical processes of making.

We worked focusing on the tactile exploration, thinking more about the experience than outcomes and enjoying the process. We created some fantastic experiments and we wait to see if they survived the kiln, as they are going to be fired over the Easter break.

Take a look at the pinterest page for more inspiration

https://www.pinterest.co.uk/vanessarolf/playing-with-clay/

The brilliant ceramicist Nao Matsunaga will be exhibiting at the Crafts Study Centre in Farnham from 3rd April 2018 – do go and see the show if you can.

http://www.csc.uca.ac.uk/new-events/2018/4/3/70pv9umzst87dqqm9f0v5fim8j65u5

Thinking in 2D, 3D and back again

Back from the festive break and ready to get making! We kicked off the year drawing and thinking of how 2D and 3D looking and thinking are related.

Using common household objects as our starting point we began with some drawing warms up to get us back in the swing. Working on long lengths of paper for 1 minute with charcoal, we moved around the room, drawing around or over the previous personā€™s drawings. The paper began filling up as we drew by touch and from someone elseā€™s description.

Now that we were really familiar with the objects we moved from representing them in 2D to 3D, drawing directly with lengths of wire. The wire forced us to relinquish some control, as it is harder to manipulate and encouraged us to think about the line coming off the page and becoming sculptural.

This then developed to working in cardboard. The groupā€™s representations of brushes, cups and tea pots working roughly in cardboard were ingenuous and showed a real understanding of 3D thinking. Their knowledge of how to create basic 3D shapes from a flat material allowed them to be really ambitious, often taking a very individual approach to creating responses to the same objects.

Their wire and cardboard objects were then installed alongside the originals and we drew both ā€˜realā€™ and sculptural version of the real objects again, this time using ink. The ink drawings showed confidence of line and how the activities had developed the membersā€™ observational skills.

By the end of the session the room was filled with fantastic drawings and sculptures.