3D images vs collage zines

We got started straight away this week on taking our digital self portraits from last week into ‘z brush’ a 3D modelling programme. Chris Carter, sculpture technician, led club members through the process using a generic face, which they ‘wrapped’ their own images on to. These will be developed into an ‘analogue’ 3D model next session.

In contrast to the digital portraits the other half of the session explored basic collage techniques using found imagery and text from magazines and newspapers. Georgia De Buriatte, third year Fine Art student and Saturday Club assistant, showed us examples of her books and zines where she uses simple collage techniques, letter press, risograph printing and photocopying to develop imagery and ideas. We discussed the role of zines to create networks of people with common interests in the pre internet days and how artists often use this cheap and easily reproducible format as a way of getting their work out to a wider audience. Georgia showed us a range of different artists’ zines and bookbinding methods and then demonstrated a simple fold and cut technique which we used to create our own format to work on. Using the materials given we developed ground papers and created text and imagery; exploring the theme of portrait in a very loose, playful way.

Everyone got cutting and sticking; the finished zines were graphic and direct, exploring the possibilities for a process that could be extended further in all kinds of directions. The group embraced this approach of letting the materials and the methods lead the outcomes, rather than planning what to make at the outset. Reflecting on unexpected results and intuitive ways of working that show what you are naturally drawn to and how you like to make.

Self portraits: introductions

This was the first session of Winchester School of Art Saturday Club and we were excited to meet the 20 students taking part. Club members are from 5 different schools from Winchester and the surrounding area, with students from years 9, 10 and 11.

After our initial introductions and a short tour the group played a series of warm ups led by third year Printmaking student Georgia de Buriatte. We drew each other, in a variety of fast paced methods, moving around the room for every drawing to loosen up our ideas about looking and mark making. This was a fun way to meet new people; the results were surprising and despite it not being about the outcomes there were some lovely drawings.

Next we headed outside to collect materials from the car park which would be the basis of the next mark making activity. Once back inside we paired up and drew around each other on large sheets of paper. The leaves, stones, feathers, twigs and rubbish were used with indian ink to fill the body shapes with textures and marks. The group became quite experimental; creating new combinations to make drawing tools, using objects to create prints or as stencils, dropping objects dipped in ink onto paper from a height or creating patterns with repeated physical gestures.  We lined up the results for everyone to see each others approaches and discuss the benefits and pitfalls of relaxing control over the outcomes.

Chris Carter, Sculpture Technician and Saturday Club tutor worked with the group to take photographs of each other. At the end of the session he gave us a presentation on 3D printing (including one mind blowing project using the suns heat to create 3D printed glass from sand in the dessert) and showed us examples of works created at the college using this technology. He explained how the images we had taken this week would be used to create 3D models of ourselves in the second and third session.

We hope the first session set the tone for the rest of year where everyone was excited to take part and get stuck in, making work and sharing ideas.