{"id":81,"date":"2018-03-29T09:33:29","date_gmt":"2018-03-29T08:33:29","guid":{"rendered":"http:\/\/generic.wordpress.soton.ac.uk\/history\/?p=81"},"modified":"2024-08-31T17:06:31","modified_gmt":"2024-08-31T16:06:31","slug":"resistance-histories","status":"publish","type":"post","link":"https:\/\/generic.wordpress.soton.ac.uk\/history\/2018\/03\/29\/resistance-histories\/","title":{"rendered":"Resistance histories"},"content":{"rendered":"

\"\"The political resistance against Nazism, Fascism and German military occupation in the middle years of the twentieth century has made the term synonymous with leftist dissidence against authoritarianism. That is the case despite the fact that not all resistance against these forces emerged from the left, and not all of it was anti-fascist in ideological terms. Just think of the generals\u2019 plot against Hitler in 1944, or the efforts of Charles de Gaulle and his Free French in London. Neither was the use of the word \u2018resistance\u2019 to convey organised opposition to a ruling power a novelty in mid-century Europe. The terminology extends back at least to the late nineteenth century, and the concept goes back even further.<\/p>\n

It was to share historical perspectives on resistance that colleagues organised a \u2018teach-out\u2019 as part of the UCU strike action in defence of the USS defined benefit pension scheme in March 2018. We wanted to focus our attention on the mental and affective processes of individual dissent. Whatever there might be to say about the organisation of resistance on a mass scale in any historical context, all such movements originated in individual human refusal\u2014refusal to adapt, accommodate and accept what was thought and felt to be wrong.<\/p>\n

Our historical examples showed the relevance of what the anthropologist James C. Scott once called \u2018weapons of the weak\u2019. When faced with overwhelming force or subtler asymmetries of power, men and women have made imaginative use of the tools available to them. The Jews of Jerusalem in the first century CE appropriated the very symbol of Imperial Rome\u2014the eagle\u2014and invested it with new, subversive meaning when making sense of the Destruction of the Temple in 70 CE. The apocalyptic downfall of the \u2018worthless\u2019 eagle presented a means of critiquing the Roman Empire. At the same time, the symbolism offered assurances to the Jewish people that the Empire would fall and in so doing provided encouragement to stay firm in the face of crisis.<\/p>\n

Aristophanes imagined an equally inventive kick back in his comedy Lysistrata, <\/em>performed in Athens in 411 BCE, during the Peloponnesian War. In order to end the conflict, the central character proposed not only to occupy the Acropolis, and thus to starve the war effort of its funds, but to unite women throughout Greece in another act of resistance \u2013 withholding sex. In the words of the play, it is not \u2018crowbars\u2019 that are needed, but \u2018intelligence and common sense\u2019. And the result: Aristophanes\u2019 Lysistrata <\/em>ends with peace and reconciliation.<\/p>\n

Some early twentieth-century feminists in France also deployed this tactic. They promoted a gr\u00e8ve des ventres <\/em>[\u2018womb strike\u2019] designed to force husbands into lobbying for contraception rights on their behalf. The historian Luisa Passerini found that the Italian women she interviewed about their everyday experience of living under Mussolini\u2019s Fascist regime joked about doing something similar. They suggested that they had limited the number of children they bore in defiance of the natalist cult that inveighed them to produce more sons for the army. Sharing information and traditional remedies for contraception and abortion, although always illegal acts, could become infused with a more pointed political meaning for these women. Indeed, in their refusal to have their bodies co-opted by fascism, they anticipated the second-wave feminist notion that the \u2018personal is political\u2019.<\/p>\n

Conversely, women in occupied France in the 1940s used the prevailing gendered assumptions about women\u2014that they were weak, apolitical, and duplicitous\u2014as tools of resistance. \u2018Ignorant\u2019 wives fed false information to the authorities; young women \u2018seduced\u2019 German officers only to shoot them at point blank range. Thus women\u2019s very conformity to social expectations served to disguise their rebellion.<\/p>\n

In an equally inventive way, refusal to bow to Nazi propaganda on newsreels in wartime Paris led to outbursts of sneezing among cinema audiences. The gesture was so successful that for a time the authorities demanded the films were played with the lights on. It turns out that even workers in as repressive a regime as Nazi Germany could exert some measure of control over their working conditions. They enacted politically legible refusals to cooperate with the priorities of the regime such as the Go Slow or absenteeism. The point is to recognise that people in the past, in drawing on localised traditions, memory and knowledge, already knew what to do in such circumstances. We are not the workers of Nazi Germany, but we can learn from them.<\/p>\n

We closed the discussion by referring to the grievances that powered the Russian Revolutions in 1917. One dimension of the popular protests against the tsarist regime in Late Imperial Russia was the fight against arbitrariness \u2013 from peasants revolting against landlords\u2019 authority, to workers fighting against their employers, whether the intelligentsia rebelling against tsarist despotism or women challenging the patriarchal order. What makes us feel outraged now?<\/p>\n

Signed:<\/p>\n

Joan Tumblety, Helen Spurling, Annelies Cazemier, Niamh Cullen, Neil Gregor, Claire Le Foll<\/p>\n

 <\/p>\n

Reading:<\/p>\n

4 Ezra 11:1-12:3 in J. Charlesworth, ed., The Old Testament pseudepigrapha, <\/em>vol.1, Apocalyptic literature and testaments<\/em> (London: Darton, Longman & Todd, 1983), pp. 548-549<\/p>\n

Aristophanes: Lysistrata and other plays, <\/em>trans. Alan H. Sommerstein, rev. edn (London: Penguin Books, 2002)<\/p>\n

 <\/p>\n

Bowles, Brett, \u2018German newsreel propaganda in France, 1940-44\u2019, Historical Journal of Film, Radio and Television, <\/em>24, 1, 2004, pp. 45-67<\/p>\n

 <\/p>\n

Kedward, H.R., \u2018Resiting French Resistance\u2019, Transactions of the Royal Historical Society, <\/em>1999, pp. 271-282<\/p>\n

 <\/p>\n

Mason, Timothy W., Social Policy in the Third Reich. The Working Class and the ‘National Community’<\/em> (Oxford: Berg, 1993)<\/p>\n

 <\/p>\n

Passerini, Luisa, Fascism in popular memory: the cultural experience of the Turin working class<\/em>, trans. Robert Lumley and Jude Bloomfield (Cambridge, 1987)<\/p>\n

 <\/p>\n

Portier-Young, A., \u2018Jewish Apocalyptic Literature as Resistance Literature\u2019 in J.J. Collins, ed., The Oxford Handbook of Apocalyptic Literature<\/em> (Oxford: OUP, 2014), pp. 145-162<\/p>\n

 <\/p>\n

Schwartz, Paula, \u2018Partisanes and gender politics in Vichy France\u2019, French Historical Studies, <\/em>16, 1989, 126-151<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The political resistance against Nazism, Fascism and German military occupation in the middle years of the twentieth century has made the term synonymous with leftist dissidence against authoritarianism. That is the case despite the fact that not all resistance against these forces emerged from the left, and not all of it was anti-fascist in ideological terms. Just think of the …<\/p>\n","protected":false},"author":2762,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[4,3],"tags":[15,14,16,17,12,13],"class_list":["post-81","post","type-post","status-publish","format-standard","hentry","category-comment-and-debate","category-events","tag-aristophanes","tag-imperial-rome","tag-mussolini","tag-nazism","tag-resistance","tag-uss-strikes","column","threecol"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p9DnLX-1j","jetpack_likes_enabled":true,"jetpack-related-posts":[{"id":313,"url":"https:\/\/generic.wordpress.soton.ac.uk\/history\/2018\/12\/10\/what-is-musical-germanness\/","url_meta":{"origin":81,"position":0},"title":"What is Musical Germanness?","author":"Eve Colpus","date":"10th December 2018","format":false,"excerpt":"This month sees the publication of Dreams of Germany: Musical Imaginaries from the Concert Hall to the Dance Floor, which Neil Gregor has co-edited with University of Southampton musicologist, Thomas Irvine. 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