{"id":2793,"date":"2015-06-12T10:47:54","date_gmt":"2015-06-12T10:47:54","guid":{"rendered":"http:\/\/memetechnology.org\/?p=3331"},"modified":"2015-06-12T10:47:54","modified_gmt":"2015-06-12T10:47:54","slug":"the-magazzini-simplified-buildyourownportus","status":"publish","type":"post","link":"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/06\/12\/the-magazzini-simplified-buildyourownportus\/","title":{"rendered":"The Magazzini Simplified #buildyourownportus"},"content":{"rendered":"<a href=\"http:\/\/memetechnology.org\/2015\/06\/12\/the-magazzini-simplified-buildyourownportus\/#gallery-3331-1-slideshow\">Click to view slideshow.<\/a>\n<p>Yesterday I returned to the Lego model of the <em>Grandi Magazzini<\/em>, that I was building in Lego Digital Designer <a href=\"http:\/\/memetechnology.org\/2014\/06\/24\/a-lego-magazzini-buildyourownportus\/\">last year<\/a>. We&#8217;ve got an idea to do a day of modelling during\u00a0the upcoming 25th <a href=\"http:\/\/british%20archaeology%20week\/\">Festival of Archaeology<\/a>. Obviously, we&#8217;ll cover the &#8220;proper&#8221; modelling (CGI and 3D printing for example) as well as Lego, but I thought it would be fun to enable every visitor to the department to make at least one of the &#8220;warehouse units&#8221; and, over the course of the open day, build up more and more towards the complete <em>Grandi Magazzini<\/em>.<\/p>\n<p>But to do that, I need to redesign my model. Not all the pieces I used in Lego Digital Designer are actually available. For example, my first model made extensive use of a &#8220;BRICK WITH BOW 1x6x2&#8243; arch, which isn&#8217;t currently available &#8211; but more on that later. I needed to redesign the model using only bricks (and colours) that are available on Lego&#8217;s pick-a-brick custom order service.<\/p>\n<p>But not only that, I wanted to make it slightly easier to build physically &#8211; my previous model would not have allowed for building a single unit and then plugging it on to the main model, at least not without some deconstruction. I alos wanted to use fewer bricks. They are not cheap on the pick-a-brick service.<\/p>\n<p>With those three aims, I set about remaking the model, sticking as much as possible to the dimensions of my previous attempt which, a little bit through judgement, but also with a lot of luck, just about managed to keep to the one stud per metre scale I&#8217;d decided upon.<\/p>\n<p>I lost some of the detail in the bricks I couldn&#8217;t use, but the most missed brick was the\u00a0BRICK WITH BOW 1x6x2, which was a lovely Romaneque arch. I had to replace it, in most places with two half-arches. In some places it actually worked better the arches of each floor&#8217;s colonnade are now closer to the 5.2 metre width that the evidence points to. The 1x6x2 brick restricted each opening to a width of just four metres. Inside though, the &#8220;vaulting&#8221; on the rearmost room looks distinctly &#8220;gothic&#8221;. I decided I could live with that, but the same thing happens on top floor of the rear external walls. Those half-arch bricks are relatively efficient, cost-wise, so I&#8217;ve retained them on that rear wall for the time being. But I fear their impact in multiplicity, across the exterior might give the wrong impression, it might make the building look like a monastery, more ecclesiastical than mercantile.<\/p>\n<p>Its funny isn&#8217;t when visualizing something, how you have to be aware of the interpretations that people bring with them to the visualisation. If people had never seen gothic architecture, I might be happier to leave these arches as they are. But I have another idea involving a shallower arch, which while\u00a0still not &#8220;Roman&#8221; in shape, may be less of a compromise. This solution will look more 19th century industrial, but perhaps that &#8220;industrial&#8221; interpretation is closer to what we think was the original use of the building.<\/p>\n<p>Right now though, I&#8217;m leaving it as is. Its time to move away from the computer and the theory, and try to build what I&#8217;ve designed in real life. So I&#8217;ve ordered the required bricks from Lego (for \u00a325 including postage) and when they arrive I&#8217;ll see how easy it is for my boy (our target market for this I&#8217;m sure) to put together.<\/p><br \/>  <a rel=\"nofollow\" href=\"http:\/\/feeds.wordpress.com\/1.0\/gocomments\/memetechnology.wordpress.com\/3331\/\"><img alt=\"\" border=\"0\" src=\"http:\/\/feeds.wordpress.com\/1.0\/comments\/memetechnology.wordpress.com\/3331\/\" \/><\/a> <img alt=\"\" border=\"0\" src=\"http:\/\/pixel.wp.com\/b.gif?host=memetechnology.org&#038;blog=43249545&amp;%23038;post=3331&amp;%23038;subd=memetechnology&amp;%23038;ref=&amp;%23038;feed=1\" width=\"1\" height=\"1\" \/>","protected":false},"excerpt":{"rendered":"<p>Yesterday I returned to the Lego model of the Grandi Magazzini, that I was building in Lego Digital Designer last year. We&rsquo;ve got an idea to do a day of modelling during&nbsp;the upcoming 25th Festival of Archaeology. Obviously, we&rsquo;ll cover &hellip; <a href=\"http:\/\/memetechnology.org\/2015\/06\/12\/the-magazzini-simplified-buildyourownportus\/\">Continue reading <span>&rarr;<\/span><\/a><img loading=\"lazy\" decoding=\"async\" alt=\"\" border=\"0\" src=\"http:\/\/pixel.wp.com\/b.gif?host=memetechnology.org&amp;blog=43249545&amp;post=3331&amp;subd=memetechnology&amp;ref=&amp;feed=1\" width=\"1\" height=\"1\"><\/p>\n","protected":false},"author":337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[84,916,652],"class_list":["post-2793","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-archeology","tag-lego","tag-portus-project","column","threecol"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Magazzini Simplified #buildyourownportus - Archaeology Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/06\/12\/the-magazzini-simplified-buildyourownportus\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Magazzini Simplified #buildyourownportus - Archaeology Blogs\" \/>\n<meta property=\"og:description\" content=\"Yesterday I returned to the Lego model of the Grandi Magazzini, that I was building in Lego Digital Designer last year. We&rsquo;ve got an idea to do a day of modelling during&nbsp;the upcoming 25th Festival of Archaeology. Obviously, we&rsquo;ll cover &hellip; Continue reading &rarr;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/06\/12\/the-magazzini-simplified-buildyourownportus\/\" \/>\n<meta property=\"og:site_name\" content=\"Archaeology Blogs\" \/>\n<meta property=\"article:published_time\" content=\"2015-06-12T10:47:54+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/feeds.wordpress.com\/1.0\/comments\/memetechnology.wordpress.com\/3331\/\" \/>\n<meta name=\"author\" content=\"Matthew Tyler-Jones\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Matthew Tyler-Jones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/06\\\/12\\\/the-magazzini-simplified-buildyourownportus\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/06\\\/12\\\/the-magazzini-simplified-buildyourownportus\\\/\"},\"author\":{\"name\":\"Matthew Tyler-Jones\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/#\\\/schema\\\/person\\\/a61d3a83f159c463727cd087c1ce643e\"},\"headline\":\"The Magazzini Simplified #buildyourownportus\",\"datePublished\":\"2015-06-12T10:47:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/06\\\/12\\\/the-magazzini-simplified-buildyourownportus\\\/\"},\"wordCount\":601,\"image\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/06\\\/12\\\/the-magazzini-simplified-buildyourownportus\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/feeds.wordpress.com\\\/1.0\\\/comments\\\/memetechnology.wordpress.com\\\/3331\\\/\",\"keywords\":[\"Archeology\",\"Lego\",\"Portus Project\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/06\\\/12\\\/the-magazzini-simplified-buildyourownportus\\\/\",\"url\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/06\\\/12\\\/the-magazzini-simplified-buildyourownportus\\\/\",\"name\":\"The Magazzini Simplified #buildyourownportus - 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In my free time, I volunteered as a costumed interpreter at Kentwell Hall and, with re-enactment societies, at various medieval sites around the UK and France. When, one evening, a few of us said \u201cwe could make a business out of this\u201d I left my job at the bank to go to college, first to get an Art Foundation and then to Manchester Polytechnic to join an innovative course called Design for Communications Media. I specialised in Educational Media Design, with the intention of applying what I was learning to cultural heritage. During my vacations and upon graduation I worked for the nascent company my friends had started, Past Pleasures, creating immersive living history festivals at Lancaster and Tunbridge Wells, as well as projects including: an exhibition for the centenary of the Commonwealth Institute; a design for a metafictional Sherlock Holmes exhibition in Croydon; and, a game that combined real-time investment advice from 300 year-old characters at the Bank of England Museum with a digital simulation, tracking the players\u2019 investment portfolio from the founding of the bank to its tercentenary. In 1996 I helped found JMD&amp;Co, and for two years I also lectured on Heritage Tourism and Visitor Management and Interpretation modules for a Portsmouth University validated HND\\\/degree course at Farnborough Technical College. Subsequently, I enrolled in the new Distance Learning delivered Masters\u2019 degree in Museum Studies at Leicester University, where I became interested in the social use of space, particularly Bill Hillier\u2019s \u201cspace syntax,\u201d and the increasing futility of cultural heritage sites trying to tell doggedly linear stories in three-dimensional spaces. Although my dissertation explored models for mapping interpretation, and particularly learning styles, onto spaces, a satisfactory reconciliation of linear story and three-dimensional space eluded me. After graduation, I decided my time in the \u201csmall business\u201d end of cultural heritage was over for a while, and I left JMD&amp;Co to join a cultural institution, the National Trust, as a Regional Community, Learning and Volunteering Manager. I brought the first National Trust iPad into use at Batemans, where, combined with a wax cylinder record player, and the help of renowned folk singer, Jon Boden, we\u2019ve returned Rudyard Kipling\u2019s voice back into his old home. However, one of the innovations which I am most proud of is the National Trust\u2019s virtual tours. Working with a small company, and a range of disabled stakeholders, we created a touch-screen based human computer interface that could also, if required, be controlled with other input devices, and allowed visitors with a variety of disabilities to fully enjoy the virtual tour. The teams\u2019 achievement was recognised with a Jodi Award for Excellence in accessible digital media in 2008.\",\"sameAs\":[\"http:\\\/\\\/memetechnology.wordpress.com\\\/\"],\"url\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/author\\\/matthew-tyler-jones\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The Magazzini Simplified #buildyourownportus - Archaeology Blogs","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/06\/12\/the-magazzini-simplified-buildyourownportus\/","og_locale":"en_US","og_type":"article","og_title":"The Magazzini Simplified #buildyourownportus - Archaeology Blogs","og_description":"Yesterday I returned to the Lego model of the Grandi Magazzini, that I was building in Lego Digital Designer last year. 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In my free time, I volunteered as a costumed interpreter at Kentwell Hall and, with re-enactment societies, at various medieval sites around the UK and France. When, one evening, a few of us said \u201cwe could make a business out of this\u201d I left my job at the bank to go to college, first to get an Art Foundation and then to Manchester Polytechnic to join an innovative course called Design for Communications Media. I specialised in Educational Media Design, with the intention of applying what I was learning to cultural heritage. During my vacations and upon graduation I worked for the nascent company my friends had started, Past Pleasures, creating immersive living history festivals at Lancaster and Tunbridge Wells, as well as projects including: an exhibition for the centenary of the Commonwealth Institute; a design for a metafictional Sherlock Holmes exhibition in Croydon; and, a game that combined real-time investment advice from 300 year-old characters at the Bank of England Museum with a digital simulation, tracking the players\u2019 investment portfolio from the founding of the bank to its tercentenary. In 1996 I helped found JMD&amp;Co, and for two years I also lectured on Heritage Tourism and Visitor Management and Interpretation modules for a Portsmouth University validated HND\/degree course at Farnborough Technical College. Subsequently, I enrolled in the new Distance Learning delivered Masters\u2019 degree in Museum Studies at Leicester University, where I became interested in the social use of space, particularly Bill Hillier\u2019s \u201cspace syntax,\u201d and the increasing futility of cultural heritage sites trying to tell doggedly linear stories in three-dimensional spaces. Although my dissertation explored models for mapping interpretation, and particularly learning styles, onto spaces, a satisfactory reconciliation of linear story and three-dimensional space eluded me. After graduation, I decided my time in the \u201csmall business\u201d end of cultural heritage was over for a while, and I left JMD&amp;Co to join a cultural institution, the National Trust, as a Regional Community, Learning and Volunteering Manager. I brought the first National Trust iPad into use at Batemans, where, combined with a wax cylinder record player, and the help of renowned folk singer, Jon Boden, we\u2019ve returned Rudyard Kipling\u2019s voice back into his old home. However, one of the innovations which I am most proud of is the National Trust\u2019s virtual tours. Working with a small company, and a range of disabled stakeholders, we created a touch-screen based human computer interface that could also, if required, be controlled with other input devices, and allowed visitors with a variety of disabilities to fully enjoy the virtual tour. 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