{"id":2561,"date":"2015-02-19T18:36:38","date_gmt":"2015-02-19T18:36:38","guid":{"rendered":"http:\/\/memetechnology.org\/?p=3244"},"modified":"2015-02-19T18:36:38","modified_gmt":"2015-02-19T18:36:38","slug":"versu","status":"publish","type":"post","link":"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/02\/19\/versu\/","title":{"rendered":"Versu"},"content":{"rendered":"

A couple of weeks back, I read about “the rise of emotional agents<\/a>” in the Guardian. One of the games mentioned was Blood and Laurels<\/a>, a work of interactive fiction (or if you like) a text-based adventure set in ancient Rome. Which seems appropriate as the Portus Project MOOC is running again<\/p>\n

<\/span><\/div>\n

I’ve played it through a couple of times now. The first time, as I would any adventure, putting myself into the role and turning out to be a slightly cowardly poet, who just wants everyone to be his friend and not to kill him. Turns out I’m not the only one<\/a>. I’ve just finished a second playthrough, wherein I tried to be more brash, braver, and a bit of flirt. I should stick to what I know, because this time the story ended prematurely with my character scared in bed. Not quite the satisfying ending of the previous attempt, in which I became Emperor. I’ll try again, and this time, try to make enemies and see how long I survive.<\/p>\n

It’s something more than a Choose Your Own Adventure (CYOA). For a start it isn’t as location based as many such stories. The interaction is less based on where you choose to go than on how you choose to interact with other characters. \u00a0It’s based on the Versu<\/a> engine, which is an engine to model social interactions, in interactive fiction. It defines not just what characters (agents) can<\/em> do, but what they should<\/em> do, in particular social situations. (Versu’s designer Richard Evans, who worked on The Sims<\/em>, describes<\/a> being inspired partly by a situation in The Sims when a\u00a0Sim invited his boss to dinner, but after letting the boss in, went off to have a bath.)<\/p>\n

There’s a lot to read on the Versu site, including this paper, which is the clearest description of how the whole thing works. I’m wondering whether this or possibly Inform 7<\/a>, from another member of the Versu team, might have an application in cultural heritage sites.<\/p>\n

 <\/p>
\"\"<\/a> \"\"","protected":false},"excerpt":{"rendered":"

A couple of weeks back, I read about “the rise of emotional agents” in the Guardian. One of the games mentioned was Blood and Laurels, a work of interactive fiction (or if you like) a text-based adventure set in ancient … Continue reading →<\/span><\/a>\"\"<\/p>\n","protected":false},"author":337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[652],"class_list":["post-2561","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-portus-project","column","threecol"],"yoast_head":"\nVersu - Archaeology Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/02\/19\/versu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Versu - Archaeology Blogs\" \/>\n<meta property=\"og:description\" content=\"A couple of weeks back, I read about “the rise of emotional agents” in the Guardian. One of the games mentioned was Blood and Laurels, a work of interactive fiction (or if you like) a text-based adventure set in ancient … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2015\/02\/19\/versu\/\" \/>\n<meta property=\"og:site_name\" content=\"Archaeology Blogs\" \/>\n<meta property=\"article:published_time\" content=\"2015-02-19T18:36:38+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/feeds.wordpress.com\/1.0\/comments\/memetechnology.wordpress.com\/3244\/\" \/>\n<meta name=\"author\" content=\"Matthew Tyler-Jones\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Matthew Tyler-Jones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/02\\\/19\\\/versu\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/02\\\/19\\\/versu\\\/\"},\"author\":{\"name\":\"Matthew Tyler-Jones\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/#\\\/schema\\\/person\\\/a61d3a83f159c463727cd087c1ce643e\"},\"headline\":\"Versu\",\"datePublished\":\"2015-02-19T18:36:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/02\\\/19\\\/versu\\\/\"},\"wordCount\":346,\"image\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/02\\\/19\\\/versu\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/feeds.wordpress.com\\\/1.0\\\/comments\\\/memetechnology.wordpress.com\\\/3244\\\/\",\"keywords\":[\"Portus Project\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/02\\\/19\\\/versu\\\/\",\"url\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2015\\\/02\\\/19\\\/versu\\\/\",\"name\":\"Versu - 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In my free time, I volunteered as a costumed interpreter at Kentwell Hall and, with re-enactment societies, at various medieval sites around the UK and France. When, one evening, a few of us said \u201cwe could make a business out of this\u201d I left my job at the bank to go to college, first to get an Art Foundation and then to Manchester Polytechnic to join an innovative course called Design for Communications Media. I specialised in Educational Media Design, with the intention of applying what I was learning to cultural heritage. During my vacations and upon graduation I worked for the nascent company my friends had started, Past Pleasures, creating immersive living history festivals at Lancaster and Tunbridge Wells, as well as projects including: an exhibition for the centenary of the Commonwealth Institute; a design for a metafictional Sherlock Holmes exhibition in Croydon; and, a game that combined real-time investment advice from 300 year-old characters at the Bank of England Museum with a digital simulation, tracking the players\u2019 investment portfolio from the founding of the bank to its tercentenary. In 1996 I helped found JMD&Co, and for two years I also lectured on Heritage Tourism and Visitor Management and Interpretation modules for a Portsmouth University validated HND\\\/degree course at Farnborough Technical College. Subsequently, I enrolled in the new Distance Learning delivered Masters\u2019 degree in Museum Studies at Leicester University, where I became interested in the social use of space, particularly Bill Hillier\u2019s \u201cspace syntax,\u201d and the increasing futility of cultural heritage sites trying to tell doggedly linear stories in three-dimensional spaces. Although my dissertation explored models for mapping interpretation, and particularly learning styles, onto spaces, a satisfactory reconciliation of linear story and three-dimensional space eluded me. After graduation, I decided my time in the \u201csmall business\u201d end of cultural heritage was over for a while, and I left JMD&Co to join a cultural institution, the National Trust, as a Regional Community, Learning and Volunteering Manager. 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During my vacations and upon graduation I worked for the nascent company my friends had started, Past Pleasures, creating immersive living history festivals at Lancaster and Tunbridge Wells, as well as projects including: an exhibition for the centenary of the Commonwealth Institute; a design for a metafictional Sherlock Holmes exhibition in Croydon; and, a game that combined real-time investment advice from 300 year-old characters at the Bank of England Museum with a digital simulation, tracking the players\u2019 investment portfolio from the founding of the bank to its tercentenary. In 1996 I helped found JMD&Co, and for two years I also lectured on Heritage Tourism and Visitor Management and Interpretation modules for a Portsmouth University validated HND\/degree course at Farnborough Technical College. Subsequently, I enrolled in the new Distance Learning delivered Masters\u2019 degree in Museum Studies at Leicester University, where I became interested in the social use of space, particularly Bill Hillier\u2019s \u201cspace syntax,\u201d and the increasing futility of cultural heritage sites trying to tell doggedly linear stories in three-dimensional spaces. Although my dissertation explored models for mapping interpretation, and particularly learning styles, onto spaces, a satisfactory reconciliation of linear story and three-dimensional space eluded me. After graduation, I decided my time in the \u201csmall business\u201d end of cultural heritage was over for a while, and I left JMD&Co to join a cultural institution, the National Trust, as a Regional Community, Learning and Volunteering Manager. 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