{"id":2107,"date":"2014-07-02T15:12:28","date_gmt":"2014-07-02T15:12:28","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/archaeology\/?p=2107"},"modified":"2014-07-02T15:12:28","modified_gmt":"2014-07-02T15:12:28","slug":"recording-folkton-drums-british-museum-results","status":"publish","type":"post","link":"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2014\/07\/02\/recording-folkton-drums-british-museum-results\/","title":{"rendered":"Recording the Folkton Drums at the British Museum &#8211; results"},"content":{"rendered":"<figure id=\"attachment_2109\" aria-describedby=\"caption-attachment-2109\" style=\"width: 431px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/wp-content\/blogs.dir\/sites\/20\/2014\/07\/drum-1-side-2_sm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2109\" alt=\"Considerable evidence of working on drum 1\" src=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/wp-content\/blogs.dir\/sites\/20\/2014\/07\/drum-1-side-2_sm-431x370.jpg\" width=\"431\" height=\"370\" \/><\/a><figcaption id=\"caption-attachment-2109\" class=\"wp-caption-text\">Considerable evidence of working on drum 1<\/figcaption><\/figure>\n<p>My <a title=\"Scanning the Folkton drums\" href=\"http:\/\/blog.soton.ac.uk\/archaeology\/blog\/2014\/04\/scanning-folkton-drums\/\">last blog post concerned the recording and data capture of the three Neolithic artefacts known as the Folkton Drums at the British Museum<\/a>. Thanks to the hard work and computing genius of Lena Kotoula and Marta D\u00edaz-Guaramino, since then we have had time to process the data and have had some spectacular results.<\/p>\n<p>Lena, Marta and I spent around six hours staring at the computer screen back in early June amazed at the results from this analysis, and picking out one feature after another that had never before been recorded.<\/p>\n<p>The most spectacular results are that the base of the largest artefact, drum 1 has considerable evidence of working, with a series of parallel scratched lines, and a motif very like those found in passage graves in Orkney. Even more amazing is the face of drum 2, as we found evidence of an erased \u2018eyebrow\u2019 above the central motif \u2013 this indicates clear evidence of reworking, and the removal of an earlier motif before the creation of the present motifs.<\/p>\n<figure id=\"attachment_2111\" aria-describedby=\"caption-attachment-2111\" style=\"width: 445px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/wp-content\/blogs.dir\/sites\/20\/2014\/07\/Drum-2-eyebrows-2_sm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2111\" alt=\"Evidence of an erased \u2018eyebrow\u2019 above the central motif on drum 2\" src=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/wp-content\/blogs.dir\/sites\/20\/2014\/07\/Drum-2-eyebrows-2_sm-445x370.jpg\" width=\"445\" height=\"370\" \/><\/a><figcaption id=\"caption-attachment-2111\" class=\"wp-caption-text\">Evidence of an erased \u2018eyebrow\u2019 above the central motif on drum 2<\/figcaption><\/figure>\n<p>One of the key aspects of the project is to record evidence for working and reworking. This was clearly evident on the side panel of drum 1, where we could see clear sequences of working, erasure and reworking. The digital imaging technique of RTI (Reflectance Transformation Imaging) has been especially useful in highlighting fine-grained detail allowing us as researchers to understand the sequence, techniques and gestures used to craft ancient artefacts. The technique is giving us a whole new picture of these intriguing Neolithic artefacts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My last blog post concerned the recording and data capture of the three Neolithic artefacts known as the Folkton Drums at the British Museum. Thanks to the hard work and computing genius of Lena Kotoula and Marta D\u00edaz-Guaramino, since then we have had time to process the data and have had some spectacular results. Lena, Marta and I spent around &#8230;<\/p>\n","protected":false},"author":361,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,23],"tags":[],"class_list":["post-2107","post","type-post","status-publish","format-standard","hentry","category-acrg","category-social-history-including-human-origins-and-later-prehistory","column","threecol"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Recording the Folkton Drums at the British Museum - results - Archaeology Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2014\/07\/02\/recording-folkton-drums-british-museum-results\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recording the Folkton Drums at the British Museum - results - Archaeology Blogs\" \/>\n<meta property=\"og:description\" content=\"My last blog post concerned the recording and data capture of the three Neolithic artefacts known as the Folkton Drums at the British Museum. Thanks to the hard work and computing genius of Lena Kotoula and Marta D\u00edaz-Guaramino, since then we have had time to process the data and have had some spectacular results. Lena, Marta and I spent around &#8230;\" \/>\n<meta property=\"og:url\" content=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2014\/07\/02\/recording-folkton-drums-british-museum-results\/\" \/>\n<meta property=\"og:site_name\" content=\"Archaeology Blogs\" \/>\n<meta property=\"article:published_time\" content=\"2014-07-02T15:12:28+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/wp-content\/blogs.dir\/sites\/20\/2014\/07\/drum-1-side-2_sm-431x370.jpg\" \/>\n<meta name=\"author\" content=\"Andrew Jones\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Andrew Jones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"http:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2014\\\/07\\\/02\\\/recording-folkton-drums-british-museum-results\\\/#article\",\"isPartOf\":{\"@id\":\"http:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2014\\\/07\\\/02\\\/recording-folkton-drums-british-museum-results\\\/\"},\"author\":{\"name\":\"Andrew Jones\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/#\\\/schema\\\/person\\\/64fac2979a636817407be7c725001cd4\"},\"headline\":\"Recording the Folkton Drums at the British Museum &#8211; 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