{"id":1348,"date":"2013-08-22T22:42:06","date_gmt":"2013-08-22T22:42:06","guid":{"rendered":"http:\/\/memetechnology.org\/?p=2870"},"modified":"2013-08-22T22:42:06","modified_gmt":"2013-08-22T22:42:06","slug":"the-narrative-structure-of-red-dead-redemption-my-first-prezi","status":"publish","type":"post","link":"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2013\/08\/22\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\/","title":{"rendered":"The Narrative Structure of Red Dead Redemption (my first Prezi)"},"content":{"rendered":"

In preparation for my presentation next month at University of Rochester’s Decoding the Digital<\/em> conference, I’ve finally mapped out (with some help from reddead.wikia.com<\/a>)\u00a0the narrative structure of Red Dead Redemption<\/em>. I wanted an easy way to show the nested structure of the story, and having seen a few Prezi<\/a> presentations, I thought I’d give that a try. You might have seen the swooping, twisting, motion-sickness inducing form of presentation before, and I worry that it may become so overused that its the twenty-teens’ version of “death by PowerPoint.” But I think in this case it does a difficult job very well. Edit: hmmm I can’t seem to embed the presentation into wordpress<\/del>, so here’s a link instead:<\/p>\n

See what you think (you can skip over the song in the middle if you want)<\/a><\/p>\n

EDIT 24\/08\/2013 and here’s an workaround embedded version, which may or may not work:<\/p>\n\n

 <\/p>\n

I think that will do. I may even include it in my Rochester presentation. If so, I’m going to have to do Dear Esther<\/em> and (gulp) Skyrim<\/em> too.<\/p>\n
\"\"<\/a> \"\"","protected":false},"excerpt":{"rendered":"

In preparation for my presentation next month at University of Rochester’s Decoding the Digital conference, I’ve finally mapped out (with some help from reddead.wikia.com) the narrative structure of Red Dead Redemption. I wanted an easy way to show the nested structure … Continue reading →<\/span><\/a>\"\"<\/p>\n","protected":false},"author":337,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[252,690,755],"class_list":["post-1348","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-dear-esther","tag-red-dead-redemption","tag-skyrim","column","threecol"],"yoast_head":"\nThe Narrative Structure of Red Dead Redemption (my first Prezi) - Archaeology Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2013\/08\/22\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Narrative Structure of Red Dead Redemption (my first Prezi) - Archaeology Blogs\" \/>\n<meta property=\"og:description\" content=\"In preparation for my presentation next month at University of Rochester’s Decoding the Digital conference, I’ve finally mapped out (with some help from reddead.wikia.com) the narrative structure of Red Dead Redemption. I wanted an easy way to show the nested structure … Continue reading →\" \/>\n<meta property=\"og:url\" content=\"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2013\/08\/22\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\/\" \/>\n<meta property=\"og:site_name\" content=\"Archaeology Blogs\" \/>\n<meta property=\"article:published_time\" content=\"2013-08-22T22:42:06+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/feeds.wordpress.com\/1.0\/comments\/memetechnology.wordpress.com\/2870\/\" \/>\n<meta name=\"author\" content=\"Matthew Tyler-Jones\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Matthew Tyler-Jones\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2013\\\/08\\\/22\\\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2013\\\/08\\\/22\\\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\\\/\"},\"author\":{\"name\":\"Matthew Tyler-Jones\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/#\\\/schema\\\/person\\\/a61d3a83f159c463727cd087c1ce643e\"},\"headline\":\"The Narrative Structure of Red Dead Redemption (my first Prezi)\",\"datePublished\":\"2013-08-22T22:42:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2013\\\/08\\\/22\\\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\\\/\"},\"wordCount\":195,\"image\":{\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2013\\\/08\\\/22\\\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/feeds.wordpress.com\\\/1.0\\\/comments\\\/memetechnology.wordpress.com\\\/2870\\\/\",\"keywords\":[\"Dear Esther\",\"Red Dead Redemption\",\"Skyrim\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2013\\\/08\\\/22\\\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\\\/\",\"url\":\"https:\\\/\\\/generic.wordpress.soton.ac.uk\\\/archaeology\\\/2013\\\/08\\\/22\\\/the-narrative-structure-of-red-dead-redemption-my-first-prezi\\\/\",\"name\":\"The Narrative Structure of Red Dead Redemption (my first Prezi) - 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In my free time, I volunteered as a costumed interpreter at Kentwell Hall and, with re-enactment societies, at various medieval sites around the UK and France. When, one evening, a few of us said \u201cwe could make a business out of this\u201d I left my job at the bank to go to college, first to get an Art Foundation and then to Manchester Polytechnic to join an innovative course called Design for Communications Media. I specialised in Educational Media Design, with the intention of applying what I was learning to cultural heritage. During my vacations and upon graduation I worked for the nascent company my friends had started, Past Pleasures, creating immersive living history festivals at Lancaster and Tunbridge Wells, as well as projects including: an exhibition for the centenary of the Commonwealth Institute; a design for a metafictional Sherlock Holmes exhibition in Croydon; and, a game that combined real-time investment advice from 300 year-old characters at the Bank of England Museum with a digital simulation, tracking the players\u2019 investment portfolio from the founding of the bank to its tercentenary. In 1996 I helped found JMD&Co, and for two years I also lectured on Heritage Tourism and Visitor Management and Interpretation modules for a Portsmouth University validated HND\\\/degree course at Farnborough Technical College. Subsequently, I enrolled in the new Distance Learning delivered Masters\u2019 degree in Museum Studies at Leicester University, where I became interested in the social use of space, particularly Bill Hillier\u2019s \u201cspace syntax,\u201d and the increasing futility of cultural heritage sites trying to tell doggedly linear stories in three-dimensional spaces. Although my dissertation explored models for mapping interpretation, and particularly learning styles, onto spaces, a satisfactory reconciliation of linear story and three-dimensional space eluded me. After graduation, I decided my time in the \u201csmall business\u201d end of cultural heritage was over for a while, and I left JMD&Co to join a cultural institution, the National Trust, as a Regional Community, Learning and Volunteering Manager. 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In my free time, I volunteered as a costumed interpreter at Kentwell Hall and, with re-enactment societies, at various medieval sites around the UK and France. When, one evening, a few of us said \u201cwe could make a business out of this\u201d I left my job at the bank to go to college, first to get an Art Foundation and then to Manchester Polytechnic to join an innovative course called Design for Communications Media. I specialised in Educational Media Design, with the intention of applying what I was learning to cultural heritage. 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Subsequently, I enrolled in the new Distance Learning delivered Masters\u2019 degree in Museum Studies at Leicester University, where I became interested in the social use of space, particularly Bill Hillier\u2019s \u201cspace syntax,\u201d and the increasing futility of cultural heritage sites trying to tell doggedly linear stories in three-dimensional spaces. Although my dissertation explored models for mapping interpretation, and particularly learning styles, onto spaces, a satisfactory reconciliation of linear story and three-dimensional space eluded me. After graduation, I decided my time in the \u201csmall business\u201d end of cultural heritage was over for a while, and I left JMD&Co to join a cultural institution, the National Trust, as a Regional Community, Learning and Volunteering Manager. I brought the first National Trust iPad into use at Batemans, where, combined with a wax cylinder record player, and the help of renowned folk singer, Jon Boden, we\u2019ve returned Rudyard Kipling\u2019s voice back into his old home. However, one of the innovations which I am most proud of is the National Trust\u2019s virtual tours. Working with a small company, and a range of disabled stakeholders, we created a touch-screen based human computer interface that could also, if required, be controlled with other input devices, and allowed visitors with a variety of disabilities to fully enjoy the virtual tour. 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