{"id":116,"date":"2013-02-14T13:34:20","date_gmt":"2013-02-14T13:34:20","guid":{"rendered":"http:\/\/blog.soton.ac.uk\/acrg\/?p=2796"},"modified":"2013-02-14T13:34:20","modified_gmt":"2013-02-14T13:34:20","slug":"transmitted-rti","status":"publish","type":"post","link":"https:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2013\/02\/14\/transmitted-rti\/","title":{"rendered":"Transmitted RTI"},"content":{"rendered":"<p>Following our successful experimentation with <a href=\"http:\/\/acrg.soton.ac.uk\/blog\/1737\/\">microscopic RTI<\/a> and <a href=\"http:\/\/acrg.soton.ac.uk\/blog\/1569\/\">multispectral RTI<\/a>, we develop a transmitted RTI methodology, inspired by transmitted photography, a set-up proposed for conservation documentation of translucent materials, canvas paintings, mounded papyri, photographic material, and works of art on paper or archival material. The transmitted RTI provides an enhanced RTI visualisation, complementary to reflected visible and infrared RTI. It enabled the examination of the back side of the mounted Derveni papyrus fragment, which was hidden by the backing material.<\/p>\n<div id=\"attachment_2832\" style=\"width: 480px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/acrg.soton.ac.uk\/files\/2013\/02\/Picture11.jpg\"><img class=\"size-medium wp-image-2832  \" src=\"http:\/\/acrg.soton.ac.uk\/files\/2013\/02\/Picture11-470x265.jpg\" alt=\"\" width=\"470\" height=\"265\" \/><\/a><p class=\"wp-caption-text\">The Derveni papyrus fragment, backside. Clockwise from top left &#8211; reflected digital image, transmitted digital image and transmitted RTI visualisations. The Derveni Papyrus is located in the Archaeological Museum of Thessaloniki.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Following our successful experimentation with microscopic RTI and multispectral RTI, we develop a transmitted RTI methodology, inspired by transmitted photography, a set-up proposed for conservation documentation of translucent materials, canvas paintings, mounded papyri, photographic material, and works of art on paper or archival material. The transmitted RTI provides an enhanced RTI visualisation, complementary to reflected [&hellip;]<\/p>\n","protected":false},"author":258,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,16,3],"tags":[],"class_list":["post-116","post","type-post","status-publish","format-standard","hentry","category-acrg","category-archaeological-science-and-computing","category-blog","column","threecol"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Transmitted RTI - Archaeology Blogs<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/generic.wordpress.soton.ac.uk\/archaeology\/2013\/02\/14\/transmitted-rti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Transmitted RTI - Archaeology Blogs\" \/>\n<meta property=\"og:description\" content=\"Following our successful experimentation with microscopic RTI and multispectral RTI, we develop a transmitted RTI methodology, inspired by transmitted photography, a set-up proposed for conservation documentation of translucent materials, canvas paintings, mounded papyri, photographic material, and works of art on paper or archival material. 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My BSc thesis was dealing with Fourier Transform Infrared (FTIR) monitoring of the artificial ageing of commercial acrylic and vinyl adhesives\\\/consolidants, in the form of thin films on glass as well as applied on clay mortars. In 2008 I transferred to the MSc in Archaeological Computing (Virtual Pasts), University of Southampton. My MSc thesis was focused on virtual reconstruction and ageing analysis of a glass, an enamelled metal and a painted ceramic from the collection of the Archaeological Museum of Southampton. I further developed my skills in Hawk University of Applied Sciences and Arts - Hornemann Institute, Germany, following a continuing education programme for professional conservators in 2009. In 2010 I started my PhD, which examines the application of computer graphics in conservation-restoration of artefacts. 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